SUPER PLAGE

Founded at the end of 2019, Super Plage (Jules Henry) offers a bewitching sound flirting with nu-disco sounds. The artist puts forward the French language and the female artists of his entourage in order to create a playful universe where it feels good to party.

A true creative machine, Super Plage has released four original albums, including Magie à minuit (2023), nominated at ADISQ in the Electronic Album of the Year category. His many successes have led him to play at a number of major events, from the Francos de Montréal and the FME to the Festival d'été de Québec, SXSW in Texas and Wide Days in Scotland. On stage, Super Plage has opened for Miel de Montagne, Julien Granel, Bon Entendeur and MYD, confirming his ability to get diverse audiences dancing in a festive, unifying ambience.

In 2025, he continues his ascent with GROSSE MAISON, a new album that takes his sonic exploration a step further, fusing house, disco and the French touch. With its catchy grooves and daring production, Super Plage has what it takes to seduce dancefloors around the world.

INFORMATION / CONTACT

Booking
Pomeline Delgado
pomeline@indiemontreal.ca

Label, management
Lisbon Lux Records
julien@lisbonluxrecords.com

michelle@lisbonluxrecords.com

Press Relations
Canada | Jeremy Spellanzon
jspellanzon@me.com                                    
Europe | SHAKER

monnierromane.shaker@gmail.com

UPCOMING SHOWS

September 12 | Café du Clocher | Alma

September 18 | Université de Quebec à Rimouski | Rimouski

September 20 | La Chèvre | Saint-Adolphe-d'Howard

December 19 | Le Pantoum | Montreal

December 20 | Les Bains Publics | Rimouski

— Le Devoir, 2022

“In his music, Jules Henry demonstrates as much a passion for sound design as a flair for catchy, jovial ritornellos (and often psychedelic lyrics), "but at the same time, I listen to a lot of songs, like those by Pierre Lapointe. Often, when I'm working on an album, I imagine that it will always sound highly realized in the manner of Flume , with incredible sounds, but it always ends up being closer to a pop song...”